All That Matters

Optical switching might make computer hard drives faster. Photo by pobre.ch via flickr.

Magnetism remains the most developed way to store digital information. The giga and terabytes of computer hard drives as well as the magnetic stripes that still are used for credit cards or hotel room keys, all function with the help of magnetic fields. There, the direction of the magnetic fields, up or down, expresses the digital 0s and 1s that make up the computer bits and bytes.

As the amount of data we store on hard drives continues to increase, it is of course desirable that read and write speeds follow that trend. As far as writing data is concerned, however, switching the magnetisation is not that easy as all the individual magnetic fields of the majority of atoms that make up a bit, their so-called magnetic moment, has to be reversed. Given that these magnetic moments are interconnected through magnetic forces, such reversals aren’t very fast.

Modern hard drives manage to write about 1 billion bits per second. That’s a nanosecond per bit. In the lab, switching speeds are even faster, achieving hundreds of picoseconds to nanoseconds. But while this sounds like a pretty fast process, it is orders of magnitude slower than many other electronic processes in a crystal. Yet, magnets needn’t be that slow. What we have considered so far is switching magnetization by an external magnetic field, such as that generated in the write head of a hard drive. This isn’t the only possibility. If ultrashort optical laser pulses are used instead, magnetism can be switched a hundred times faster, on the order of a picosecond.

How does this work? In a paper published in advance on the Nature website this week, Ilie Radu, Theo Rasing from Radboud University in Nijmegen and others have investigated the details of the optical switching proceeds for a particular class of magnets, antiferromagnets.

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The 8.9 to 9.0 magnitude earth quake that occurred on March 11, 2011 off the coast of Sendai and the tsunami that followed had a devastating effect on the entire country. The loss of human life is a terrible tragedy.

The famous Matsushima bay near Sendai - one of Japan's most scenic spots. The tsunami most likely will have caused devastation to the villages along the bay, to the islands as well as the oyster farms in the area. Image by David Ooms via flickr.

Seeing in particular the destruction in the area around Sendai is painful. As before and after satellite images of villages in the area show, this is the worst hit region of Japan.

Last spring I had the opportunity to visit Sendai, and met a lot of wonderful people there, particularly also from Tohoku University in Sendai.

Tohoku University, a world-class institution whose research I have highlighted before, is located at the foot of the hills that surround Sendai, sufficiently far away from the tsunami. From what I hear the buildings there are safe. The university websites came back online again today. Still, I can only hope that staff and students are all safe.

In a time like this, we all need to show our support for the Japanese people. From thousands of miles distance, the most immediate we can do is to support those professional institutions that are equipped to deliver immediate humanitarian aid.

Here are some selected institutions, and I am sure there are others, too. Please be generous with your help!

• American Red Cross
• British Red Cross
• Médecins Sans Frontières

Image by NathanaelB via flickr

They were pretty common with bands at least in the 1970s and 1980s, and probably still are – electronic synthesizers. Just check out video and sound of this Depeche Mode song ‘Just can’t get enough.’ Synthesizers generate artificial sounds by breaking these down into their individual frequency components and then generating these components artificially. In a paper published in Science this week, Andy Kung and colleagues from the Institute of Atomic and Molecular Sciences of the Academia Sinica in Taiwan and other Taiwanese institutions have now demonstrated the equivalent of electronic synthesizers, but for light. […]